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Hey everyone, great to be back again. Some of you might remember a similar title from a post I made back in April, where I made a list of the top 250 movies with 13 sources, or a preview of this list I made last month.
I want to emphasize that this is NOT an official ranking nor my personal ranking; it is just a statistical and, personally, interesting look at 500 amazing movies. These rankings reflect the opinions of thousands of critics and millions of people around the world. And I am glad that this list is able to cover a wide range of genres, decades, and countries. So before I get bombarded with "Why isn't X on here?" or "How is X above Y?" comments, I wanted to clear that up.
I sourced my data from Sight & Sound (both critic and director lists), TSPDT, iCheckMovies, 11 domestic websites (Rotten Tomatoes, Metacritic, IMDb, Letterboxd, TMDb, Trakt, Blu-Ray, MovieLens, RateYourMusic, Criticker, and Critics Choice), and 9 international audience sites (FilmAffinity, Douban, Naver, MUBI, Filmweb, Kinopoisk, CSFD, Moviemeter, and Senscritique). This balance of domestic/international ratings made the list more well-rounded and internationally representative (sites from Spain, China, Korea, Poland, Russia, Czech Republic, Netherlands, and France).
As for my algorithm, I weighted websites according to both their Alexa ranking and their number of votes compared to other sites. For example, since The Godfather has hundreds of thousands of votes on Letterboxd but only a couple thousand on Metacritic, Letterboxd would be weighted more heavily. After obtaining the weighted averages, I then added the movie's iCheckMovies' favs/checks ratio and TSPDT ranking, if applicable. Regarding TSPDT, I included the top 2000 movies; as an example of my calculations, Rear Window's ranking of #41 would add (2000-41)/2000=0.9795 points to its weighted average. I removed movies that had <7-8K votes on IMDb, as these mostly had low ratings and numbers of votes across different sites as well. For both Sight & Sound lists, I added between 0.5 and 1 point to a movie's score based on its ranking, which I thought was an adequate reflection of how difficult it is to be included on these lists. As examples, a #21 movie would have 0.9 points added while a #63 would have 0.69 points.
So without further ado, the statistical top 500 movies ever made. I separated the scores into overall, critics, domestic, and international columns to make comparisons easier. This list on Letterboxd.

Ranking	Title	Overall Score	Critics	Domestic	International	Year	Director
1	The Godfather	93.89	97.73	90.50	89.36	1972	Francis Ford Coppola
2	The Godfather: Part II	91.93	93.30	89.04	88.06	1974	Francis Ford Coppola
3	Seven Samurai	91.05	97.38	87.63	85.90	1954	Akira Kurosawa
4	12 Angry Men	90.45	95.45	88.74	88.62	1957	Sidney Lumet
5	City Lights	89.94	96.75	85.67	85.93	1931	Charlie Chaplin
6	The Good, the Bad and the Ugly	89.45	91.20	87.81	86.59	1966	Sergio Leone
7	The Shawshank Redemption	89.41	82.95	89.49	89.18	1994	Frank Darabont
8	Psycho	89.29	95.23	85.70	85.01	1960	Alfred Hitchcock
9	Modern Times	89.28	95.55	85.21	85.37	1936	Charlie Chaplin
10	Schindler's List	89.08	93.80	87.22	87.29	1993	Steven Spielberg
11	Pulp Fiction	88.85	92.60	87.69	86.42	1994	Quentin Tarantino
12	Rear Window	88.63	97.65	85.40	83.33	1954	Alfred Hitchcock
13	One Flew Over the Cuckoo's Nest	88.55	87.38	86.28	86.97	1975	Miloš Forman
14	Apocalypse Now	88.54	93.85	85.24	83.48	1979	Francis Ford Coppola
15	Tokyo Story	88.49	98.30	85.16	83.76	1953	Yasujirō Ozu
16	Spirited Away	88.34	93.78	86.80	85.91	2001	Hayao Miyazaki
17	GoodFellas	88.03	91.48	87.00	84.03	1990	Martin Scorsese
18	Vertigo	88.02	95.60	84.05	82.76	1958	Alfred Hitchcock
19	Singin' in the Rain	88.01	97.65	83.95	83.13	1952	Gene Kelly, Stanley Donen
20	Sunset Boulevard	88.00	95.45	85.44	84.22	1950	Billy Wilder
21	Citizen Kane	87.83	99.03	83.06	82.22	1941	Orson Welles
22	Harakiri	87.79	85.83	88.00	86.29	1962	Masaki Kobayashi
23	Rashomon	87.74	96.55	83.52	82.73	1950	Akira Kurosawa
24	Once Upon a Time in the West	87.71	86.65	85.48	84.62	1968	Sergio Leone
25	Fanny and Alexander	87.54	97.30	83.15	83.00	1982	Ingmar Bergman
26	The Lord of the Rings: The Return of the King	87.40	92.59	86.06	85.38	2003	Peter Jackson
27	Andrei Rublev	87.39	91.90	83.80	83.94	1966	Andrei Tarkovsky
28	The Passion of Joan of Arc	87.39	94.65	83.88	83.57	1928	Carl Theodor Dreyer
29	Sherlock Jr.	87.36	96.45	83.64	85.60	1924	Buster Keaton
30	Bicycle Thieves	87.35	94.70	83.91	83.46	1948	Vittorio De Sica
31	Casablanca	87.35	98.00	85.25	82.62	1942	Michael Curtiz
32	Some Like It Hot	87.28	95.30	82.11	83.73	1959	Billy Wilder
33	Persona	87.22	88.20	84.28	83.07	1966	Ingmar Bergman
34	Children of Paradise	87.21	95.33	84.81	83.27	1945	Marcel Carné
35	Taxi Driver	87.14	93.88	83.60	82.06	1976	Martin Scorsese
36	The Dark Knight	87.08	88.81	86.96	84.80	2008	Christopher Nolan
37	Metropolis	87.03	96.00	82.92	84.01	1927	Fritz Lang
38	Sunrise: A Song of Two Humans	87.02	93.95	82.23	84.02	1927	F. W. Murnau
39	Stalker	87.02	92.30	83.86	83.29	1979	Andrei Tarkovsky
40	Pather Panchali	86.96	94.35	84.40	82.80	1955	Satyajit Ray
41	Lawrence of Arabia	86.95	97.65	83.76	81.49	1962	David Lean
42	M	86.91	96.20	84.34	82.92	1931	Fritz Lang
43	Ordet	86.82	98.10	83.08	82.55	1955	Carl Theodor Dreyer
44	It's a Wonderful Life	86.77	90.45	85.17	84.90	1946	Frank Capra
45	Satantango	86.76	90.45	84.58	84.21	1994	Béla Tarr
46	Parasite	86.72	96.34	86.55	83.15	2019	Bong Joon-ho
47	The 400 Blows	86.70	96.70	83.14	82.60	1959	François Truffaut
48	Ikiru	86.56	93.80	85.48	84.29	1952	Akira Kurosawa
49	Mirror	86.50	95.60	82.75	82.34	1975	Andrei Tarkovsky
50	Come and See	86.50	90.50	85.22	83.13	1985	Elem Klimov
51	The Apartment	86.48	92.00	84.09	82.99	1960	Billy Wilder
52	The General	86.45	91.45	82.59	83.87	1926	Buster Keaton, Clyde Bruckman
53	Grave of the Fireflies	86.43	95.13	85.85	82.97	1988	Isao Takahata
54	Le Trou	86.41	89.95	85.46	85.14	1960	Jacques Becker
55	The Battle of Algiers	86.37	95.40	82.64	81.24	1966	Gillo Pontecorvo
56	A Man Escaped	86.34	96.50	83.67	82.03	1956	Robert Bresson
57	Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb	86.34	95.85	84.37	83.03	1964	Stanley Kubrick
58	Paths of Glory	86.25	92.30	84.97	84.48	1957	Stanley Kubrick
59	The Lord of the Rings: The Fellowship of the Ring	86.24	88.75	85.61	84.31	2001	Peter Jackson
60	All About Eve	86.23	96.95	83.69	83.20	1950	Joseph L. Mankiewicz
61	Star Wars: The Empire Strikes Back	86.21	86.93	87.05	83.29	1980	Irvin Kershner
62	High and Low	86.16	86.55	86.08	84.26	1963	Akira Kurosawa
63	The Great Dictator	86.15	91.10	84.25	85.03	1940	Charlie Chaplin
64	The Silence of the Lambs	86.12	88.68	85.29	84.17	1991	Jonathan Demme
65	2001: A Space Odyssey	86.06	88.35	82.93	81.54	1968	Stanley Kubrick
66	North by Northwest	86.03	96.38	83.17	81.74	1959	Alfred Hitchcock
67	Double Indemnity	85.91	94.38	83.84	83.12	1944	Billy Wilder
68	Ugetsu	85.91	97.25	82.69	81.91	1953	Kenji Mizoguchi
69	Woman in the Dunes	85.91	93.95	84.71	83.77	1964	Hiroshi Teshigahara
70	Sansho the Bailiff	85.88	95.50	84.24	82.21	1954	Kenji Mizoguchi
71	Once Upon a Time in America	85.87	86.10	83.84	85.53	1984	Sergio Leone
72	City of God	85.86	84.08	86.39	84.00	2002	Fernando Meirelles, Kátia Lund
73	Late Spring	85.81	94.75	83.74	82.27	1949	Yasujirō Ozu
74	Barry Lyndon	85.80	87.95	82.44	82.30	1975	Stanley Kubrick
75	The Lord of the Rings: The Two Towers	85.78	88.78	85.00	84.29	2002	Peter Jackson
76	Raging Bull	85.77	90.48	82.01	81.80	1980	Martin Scorsese
77	Chinatown	85.72	94.08	83.32	80.69	1974	Roman Polanski
78	Alien	85.69	91.73	84.76	82.62	1979	Ridley Scott
79	Ran	85.68	94.70	83.93	82.52	1985	Akira Kurosawa
80	The Seventh Seal	85.67	92.10	83.52	82.13	1957	Ingmar Bergman
81	The Kid	85.61	92.85	82.91	84.94	1921	Charlie Chaplin
82	Wild Strawberries	85.51	90.05	83.38	82.24	1957	Ingmar Bergman
83	A Brighter Summer Day	85.50	93.38	84.07	81.01	1991	Edward Yang
84	8½	85.48	91.20	82.59	81.09	1963	Federico Fellini
85	The Pianist	85.38	88.69	83.31	84.80	2002	Roman Polanski
86	The World of Apu	85.38	93.20	84.38	83.09	1959	Satyajit Ray
87	La Dolce Vita	85.37	94.38	81.40	80.48	1960	Federico Fellini
88	Star Wars	85.33	90.03	85.22	81.92	1977	George Lucas
89	The Best of Youth	85.31	88.78	85.31	83.64	2003	Marco Tullio Giordana
90	The Gold Rush	85.29	94.55	81.93	83.59	1925	Charlie Chaplin
91	The Third Man	85.26	96.50	82.91	80.21	1949	Carol Reed
92	The Treasure of the Sierra Madre	85.20	96.68	82.77	81.81	1948	John Huston
93	I Am Cuba	85.18	93.60	82.00	83.44	1964	Mikhail Kalatozov
94	The Lives of Others	85.14	89.03	84.12	82.73	2006	Florian Henckel von Donnersmarck
95	Witness for the Prosecution	85.13	92.65	83.67	84.99	1957	Billy Wilder
96	Touch of Evil	85.11	95.70	81.36	79.65	1958	Orson Welles
97	WALL-E	85.10	92.09	82.82	82.64	2008	Andrew Stanton
98	Scenes from a Marriage	85.02	86.85	84.80	83.06	1974	Ingmar Bergman
99	To Be or Not to Be	84.99	89.58	82.52	83.39	1942	Ernst Lubitsch
100	A Separation	84.92	94.24	83.34	80.90	2011	Asghar Farhadi
101	The Night of the Hunter	84.91	96.93	81.17	79.06	1955	Charles Laughton
102	Three Colors: Red	84.87	96.78	83.32	80.78	1994	Krzysztof Kieślowski
103	Yojimbo	84.87	91.55	83.85	82.99	1961	Akira Kurosawa
104	Back to the Future	84.85	89.38	84.47	81.94	1985	Robert Zemeckis
105	My Neighbor Totoro	84.84	87.53	83.44	83.17	1988	Hayao Miyazaki
106	In the Mood for Love	84.84	83.87	82.55	81.20	2000	Wong Kar-wai
107	Princess Mononoke	84.83	81.18	85.02	84.24	1999	Hayao Miyazaki
108	Saving Private Ryan	84.82	90.35	83.94	82.50	1998	Steven Spielberg
109	Cinema Paradiso	84.78	82.30	84.73	83.43	1988	Giuseppe Tornatore
110	La Jetée	84.75	89.25	83.27	81.80	1962	Chris Marker
111	The Wages of Fear	84.71	94.60	82.99	82.80	1953	Henri-Georges Clouzot
112	Das Boot	84.68	90.13	83.62	82.71	1981	Wolfgang Petersen
113	Fight Club	84.65	71.18	86.39	84.95	1999	David Fincher
114	Nights of Cabiria	84.64	92.25	82.72	83.13	1957	Federico Fellini
115	La Strada	84.61	92.60	80.79	82.78	1954	Federico Fellini
116	Amadeus	84.53	89.55	82.88	82.59	1984	Miloš Forman
117	Forrest Gump	84.50	76.90	83.06	86.12	1994	Robert Zemeckis
118	Spider-Man: Into the Spider-Verse	84.49	90.41	85.03	81.69	2018	Peter Ramsey, Rodney Rothman, Bob Persichetti
119	The Lion King	84.45	88.28	77.22	84.09	1994	Rob Minkoff, Roger Allers
120	Inception	84.43	82.07	84.18	84.17	2010	Christopher Nolan
121	Whiplash	84.42	89.53	84.87	81.96	2014	Damien Chazelle
122	The Shop Around the Corner	84.40	94.43	80.85	82.37	1940	Ernst Lubitsch
123	Rififi	84.38	92.00	83.03	81.58	1955	Jules Dassin
124	Umberto D.	84.38	92.63	82.20	81.75	1952	Vittorio De Sica
125	Army of Shadows	84.37	95.30	82.98	80.50	1969	Jean-Pierre Melville
126	Blade Runner	84.34	85.85	82.57	80.29	1982	Ridley Scott
127	Samurai Rebellion	84.33	89.05	82.85	83.84	1967	Masaki Kobayashi
128	Close-Up	84.31	85.70	81.99	80.69	1990	Abbas Kiarostami
129	The Circus	84.29	90.35	81.69	83.14	1928	Charlie Chaplin
130	Raiders of the Lost Ark	84.19	89.33	84.31	80.57	1981	Steven Spielberg
131	Grand Illusion	84.18	95.35	81.85	79.78	1937	Jean Renoir
132	A Clockwork Orange	84.18	82.78	82.37	82.51	1971	Stanley Kubrick
133	Eternal Sunshine of the Spotless Mind	84.07	89.37	83.36	80.57	2004	Michel Gondry
134	A Woman Under the Influence	84.01	87.40	82.51	80.40	1974	John Cassavetes
135	The Cranes Are Flying	84.00	89.30	82.76	82.40	1957	Mikhail Kalatozov
136	Yi Yi	83.91	91.25	82.48	79.64	2000	Edward Yang
137	To Kill a Mockingbird	83.91	89.13	81.98	82.20	1962	Robert Mulligan
138	The Matrix	83.90	77.78	84.54	83.06	1999	Wachowski Sisters
139	The Sting	83.90	85.73	82.71	83.36	1973	George Roy Hill
140	The Mother and the Whore	83.87	94.55	81.24	79.82	1973	Jean Eustache
141	Se7en	83.86	72.15	84.91	84.48	1995	David Fincher
142	Early Summer	83.85	94.45	82.19	82.01	1951	Yasujirō Ozu
143	Werckmeister Harmonies	83.80	91.73	80.89	81.93	2000	Béla Tarr, Ágnes Hranitzky
144	Coco	83.80	86.21	82.73	83.66	2017	Adrian Molina, Lee Unkrich
145	Toy Story	83.76	95.03	82.30	80.15	1995	John Lasseter
146	It Happened One Night	83.76	90.83	81.46	81.76	1934	Frank Capra
147	Reservoir Dogs	83.74	84.68	83.12	81.99	1992	Quentin Tarantino
148	Unforgiven	83.73	88.55	82.24	81.59	1992	Clint Eastwood
149	The Deer Hunter	83.73	87.68	80.57	82.06	1978	Michael Cimino
150	The Young and the Damned	83.72	87.10	82.58	80.82	1950	Luis Buñuel
151	The Best Years of Our Lives	83.68	92.63	81.19	81.20	1946	William Wyler
152	The Leopard	83.66	97.30	79.56	79.57	1963	Luchino Visconti
153	Time of the Gypsies	83.65	86.05	83.31	82.29	1988	Emir Kusturica
154	Ali: Fear Eats the Soul	83.61	96.70	80.51	79.97	1974	Rainer Werner Fassbinder
155	Raise the Red Lantern	83.57	90.25	82.37	81.81	1991	Zhang Yimou
156	Terminator 2: Judgment Day	83.57	82.00	84.11	81.83	1991	James Cameron
157	The Shining	83.55	75.35	84.08	81.80	1980	Stanley Kubrick
158	Viridiana	83.54	92.95	80.68	80.81	1961	Luis Buñuel
159	Portrait of a Lady on Fire	83.52	93.59	83.08	80.02	2019	Céline Sciamma
160	Greed	83.51	97.05	80.65	80.64	1924	Erich von Stroheim
161	Gone with the Wind	83.48	92.90	80.01	81.68	1939	Victor Fleming
162	There Will Be Blood	83.48	89.65	81.91	79.02	2007	Paul Thomas Anderson
163	L.A. Confidential	83.46	91.63	82.08	80.81	1997	Curtis Hanson
164	Paris, Texas	83.46	83.95	82.89	81.66	1984	Wim Wenders
165	Throne of Blood	83.45	91.30	82.18	81.49	1957	Akira Kurosawa
166	Toy Story 3	83.43	93.55	81.61	80.32	2010	Lee Unkrich
167	Memento	83.43	85.20	83.78	80.76	2000	Christopher Nolan
168	On the Waterfront	83.37	93.00	82.23	79.52	1954	Elia Kazan
169	Trip to the Moon	83.37	94.70	79.96	82.83	1902	Georges Méliès
170	The Rules of the Game	83.33	96.55	80.45	78.02	1939	Jean Renoir
171	Red Beard	83.32	74.15	83.41	83.27	1965	Akira Kurosawa
172	The Grapes of Wrath	83.32	95.45	80.42	80.34	1940	John Ford
173	Au Hasard Balthazar	83.29	98.08	77.93	77.54	1966	Robert Bresson
174	Autumn Sonata	83.29	84.85	83.09	82.66	1978	Ingmar Bergman
175	Annie Hall	83.28	93.18	80.58	80.58	1977	Woody Allen
176	The Conformist	83.27	96.68	79.92	78.58	1970	Bernardo Bertolucci
177	Rocco and His Brothers	83.24	84.73	81.95	81.68	1960	Luchino Visconti
178	Dersu Uzala	83.23	74.75	82.35	83.37	1975	Akira Kurosawa
179	Cool Hand Luke	83.21	93.05	82.22	79.83	1967	Stuart Rosenberg
180	Monty Python and the Holy Grail	83.18	91.98	82.96	79.30	1975	Terry Gilliam, Terry Jones
181	Le Samouraï	83.18	92.35	82.45	79.40	1967	Jean-Pierre Melville
182	Aliens	83.18	88.73	83.29	79.61	1986	James Cameron
183	PlayTime	83.16	93.50	80.22	78.80	1967	Jacques Tati
184	The Bridge on the River Kwai	83.14	90.58	81.93	80.24	1957	David Lean
185	The Red Shoes	83.13	93.15	82.82	79.96	1948	Michael Powell, Emeric Pressburger
186	American Beauty	83.10	87.15	81.93	81.13	1999	Sam Mendes
187	To Live	83.10	84.00	82.16	82.46	1994	Zhang Yimou
188	Battleship Potemkin	83.10	95.85	77.81	80.41	1925	Sergei Eisenstein
189	Day of Wrath	83.09	93.40	81.07	81.29	1943	Carl Theodor Dreyer
190	All Quiet on the Western Front	83.07	92.85	80.05	81.48	1930	Lewis Milestone
191	It's Such a Beautiful Day	83.07	91.25	83.62	79.77	2012	Don Hertzfeldt
192	Full Metal Jacket	83.06	81.53	82.21	82.54	1987	Stanley Kubrick
193	The Cabinet of Dr. Caligari	83.05	96.40	79.84	81.83	1920	Robert Wiene
194	Kes	83.03	97.80	79.59	80.55	1969	Ken Loach
195	The Usual Suspects	83.02	80.23	84.08	81.48	1995	Bryan Singer
196	The Cameraman	83.00	93.90	80.77	81.57	1928	Edward Segdwick, Buster Keaton
197	Aparajito	83.00	90.90	81.81	81.20	1956	Satyajit Ray
198	The Elephant Man	83.00	83.00	82.10	81.87	1980	David Lynch
199	Rebecca	82.98	90.08	81.08	80.93	1940	Alfred Hitchcock
200	Make Way for Tomorrow	82.97	95.80	81.72	80.14	1937	Leo McCarey
201	The Great Escape	82.97	87.68	82.29	80.66	1963	John Sturges
202	Your Name	82.97	84.55	84.07	81.29	2016	Makoto Shinkai
203	Limelight	82.92	88.00	79.85	83.02	1952	Charlie Chaplin
204	Breathless	82.92	91.95	78.88	79.10	1960	Jean-Luc Godard
205	Underground	82.91	80.75	81.26	82.64	1995	Emir Kusturica
206	The Man Who Shot Liberty Valance	82.88	91.90	81.08	79.53	1962	John Ford
207	Aguirre: The Wrath of God	82.87	94.55	80.46	78.62	1972	Werner Herzog
208	Oldboy	82.86	78.98	84.00	81.27	2003	Park Chan-wook
209	Up	82.84	90.28	81.32	80.86	2009	Pete Docter
210	Anatomy of a Murder	82.84	94.00	80.57	80.02	1959	Otto Preminger
211	The Wild Bunch	82.84	90.35	79.45	80.12	1969	Sam Peckinpah
212	The Hunt	82.75	82.08	82.79	82.62	2012	Thomas Vinterberg
213	Il Sorpasso	82.74	95.75	82.84	79.57	1962	Dino Risi
214	The Last Laugh	82.74	95.25	79.47	81.61	1924	F. W. Murnau
215	A Streetcar Named Desire	82.73	94.60	79.89	80.26	1951	Elia Kazan
216	Life Is Beautiful	82.73	68.45	83.60	85.57	1997	Roberto Benigni
217	A Short Film About Love	82.71	87.10	81.90	81.89	1988	Krzysztof Kieślowski
218	The Shop on Main Street	82.71	94.45	82.15	80.43	1965	Ján Kadár, Elmar Klos
219	Rio Bravo	82.71	92.10	80.46	79.80	1959	Howard Hawks
220	Roman Holiday	82.70	84.55	80.74	82.42	1953	William Wyler
221	Ivan's Childhood	82.69	94.80	81.25	80.37	1962	Andrei Tarkovsky
222	The Exterminating Angel	82.68	91.10	81.66	80.17	1962	Luis Buñuel
223	Trainspotting	82.68	85.20	81.57	81.21	1996	Danny Boyle
224	The Last Picture Show	82.67	94.15	79.90	79.56	1971	Peter Bogdanovich
225	The Truman Show	82.64	89.63	79.70	82.15	1998	Peter Weir
226	Memories of Murder	82.64	82.88	82.68	80.94	2003	Bong Joon-ho
227	Faust	82.62	89.70	80.23	81.94	1926	F. W. Murnau
228	Sans Soleil	82.62	83.90	79.45	80.51	1983	Chris Marker
229	Song of the Sea	82.57	87.63	80.59	82.23	2014	Tomm Moore
230	Léon: The Professional	82.55	67.38	84.05	84.07	1994	Luc Besson
231	Fargo	82.54	87.45	82.36	79.19	1996	Coen Brothers
232	Solaris	82.54	89.95	80.91	79.69	1972	Andrei Tarkovsky
233	Sweet Smell of Success	82.52	96.53	80.81	77.62	1957	Alexander Mackendrick
234	For a Few Dollars More	82.52	79.28	82.38	83.15	1965	Sergio Leone
235	White Heat	82.51	90.65	80.77	81.24	1949	Raoul Walsh
236	Brief Encounter	82.50	88.35	80.81	81.03	1945	David Lean
237	Wings of Desire	82.49	85.70	81.30	80.42	1987	Wim Wenders
238	Diabolique	82.47	90.70	81.27	80.73	1955	Henri-Georges Clouzot
239	An Autumn Afternoon	82.45	91.95	81.68	79.85	1962	Yasujirō Ozu
240	The Tale of the Princess Kaguya	82.44	90.63	81.16	80.43	2013	Isao Takahata
241	Amarcord	82.41	85.95	79.26	80.73	1973	Federico Fellini
242	Heat	82.40	79.08	82.03	81.73	1995	Michael Mann
243	L'Atalante	82.40	95.60	78.32	78.10	1934	Jean Vigo
244	Django Unchained	82.39	83.44	82.23	81.94	2012	Quentin Tarantino
245	Jeanne Dielman, 23 Commerce Quay, 1080 Brussels	82.38	95.50	78.73	79.69	1975	Chantal Akerman
246	Kind Hearts and Coronets	82.38	95.60	80.80	79.72	1949	Robert Hamer
247	Dog Day Afternoon	82.37	88.40	81.11	79.80	1975	Sidney Lumet
248	Forbidden Games	82.37	93.75	80.36	80.99	1952	René Clément
249	The Crowd	82.35	93.35	79.21	81.23	1928	King Vidor
250	Notorious	82.35	96.78	79.96	78.21	1946	Alfred Hitchcock
251	Mary and Max	82.35	88.05	80.95	82.42	2009	Adam Elliot
252	Persepolis	82.34	88.95	80.09	80.77	2007	Marjane Satrapi, Vincent Paronnaud
253	Howl's Moving Castle	82.33	78.71	82.63	83.10	2004	Hayao Miyazaki
254	Nausicaä of the Valley of the Wind	82.33	85.10	81.54	82.03	1984	Hayao Miyazaki
255	Safety Last!	82.33	92.25	80.95	81.10	1923	Fred C. Newmeyer, Sam Taylor
256	Rosemary's Baby	82.32	94.78	79.99	78.69	1968	Roman Polanski
257	L'Avventura	82.32	92.10	79.08	78.03	1960	Michelangelo Antonioni
258	The Searchers	82.32	93.90	78.16	76.66	1956	John Ford
259	La Haine	82.30	90.60	82.38	79.56	1995	Mathieu Kassovitz
260	Three Colors: Blue	82.30	88.28	81.55	79.23	1993	Krzysztof Kieślowski
261	Chungking Express	82.30	79.95	82.29	80.73	1994	Wong Kar-wai
262	Inside Out	82.29	93.66	80.27	79.85	2015	Pete Docter
263	Where is the Friend's Home?	82.28	89.25	81.22	80.21	1987	Abbas Kiarostami
264	Cries and Whispers	82.27	85.45	81.02	80.80	1972	Ingmar Bergman
265	Napoleon	82.22	93.25	81.89	78.99	1927	Abel Gance
266	Paper Moon	82.19	83.08	81.37	81.29	1973	Peter Bogdanovich
267	The Spirit of the Beehive	82.17	89.83	79.31	78.91	1973	Víctor Erice
268	A Special Day	82.16	90.20	81.11	81.25	1977	Ettore Scola
269	Nostalghia	82.15	83.00	80.91	81.23	1983	Andrei Tarkovsky
270	Network	82.13	85.45	82.36	79.08	1976	Sidney Lumet
271	L'Eclisse	82.11	84.70	79.78	78.81	1962	Michelangelo Antonioni
272	Mr. Smith Goes to Washington	82.09	80.83	81.78	81.15	1939	Frank Capra
273	Sanjuro	82.09	91.90	81.67	80.85	1962	Akira Kurosawa
274	Badlands	82.06	93.38	79.77	77.21	1973	Terrence Malick
275	Vivre Sa Vie	82.06	85.20	80.12	79.83	1962	Jean-Luc Godard
276	Nobody Knows	82.06	87.18	81.12	81.15	2004	Hirokazu Koreeda
277	No Country for Old Men	82.05	90.68	80.56	78.47	2007	Coen Brothers
278	Spring, Summer, Fall, Winter... and Spring	82.05	86.05	80.76	80.62	2003	Kim Ki-duk
279	La Notte	82.04	78.35	81.45	81.11	1961	Michelangelo Antonioni
280	The Celebration	82.04	84.23	81.34	80.08	1998	Thomas Vinterberg
281	In the Name of the Father	82.04	84.90	81.14	81.85	1993	Jim Sheridan
282	I Am a Fugitive from a Chain Gang	82.02	89.55	80.18	81.56	1932	Mervyn LeRoy
283	Shoplifters	82.01	92.39	80.60	79.31	2018	Hirokazu Koreeda
284	Finding Nemo	82.01	92.60	80.13	78.76	2003	Andrew Stanton, Lee Unkrich
285	Z	81.98	87.55	82.21	79.59	1969	Costa-Gavras
286	The Phantom Carriage	81.96	95.00	80.01	80.32	1921	Victor Sjöström
287	Manhattan	81.95	86.23	80.50	79.81	1979	Woody Allen
288	Rome, Open City	81.94	95.40	80.45	79.27	1945	Robert Rossellini
289	Children of Heaven	81.93	80.15	81.24	82.01	1997	Majid Majidi
290	The Green Mile	81.92	71.93	82.95	84.38	1999	Frank Darabont
291	The Iron Giant	81.91	86.61	80.88	79.95	1999	Brad Bird
292	The Sacrifice	81.90	80.30	80.47	81.37	1986	Andrei Tarkovsky
293	The Philadelphia Story	81.90	94.95	79.79	77.86	1940	George Cukor
294	The Twilight Samurai	81.90	86.10	81.07	81.13	2002	Yôji Yamada
295	Before Sunset	81.88	87.79	81.42	78.41	2004	Richard Linklater
296	Before Sunrise	81.86	84.40	82.24	79.44	1995	Richard Linklater
297	Castle in the Sky	81.85	81.63	81.49	82.06	1986	Hayao Miyazaki
298	The Departed	81.84	86.92	82.82	79.04	2006	Martin Scorsese
299	Brazil	81.83	90.23	80.61	78.37	1985	Terry Gilliam
300	Incendies	81.81	83.85	81.88	80.74	2011	Denis Villenueve
301	The Maltese Falcon	81.81	95.65	80.24	77.28	1941	John Huston
302	The Wizard of Oz	81.77	98.03	79.38	77.17	1939	Victor Fleming
303	Le Cercle Rouge	81.76	90.03	80.81	78.54	1970	Jean-Pierre Melville
304	Monsieur Verdoux	81.76	89.80	78.55	81.34	1947	Charlie Chaplin
305	The Return	81.72	84.85	80.02	80.96	2003	Andrey Zvyagintsev
306	Secrets & Lies	81.71	90.73	80.29	78.66	1996	Mike Leigh
307	The Hidden Fortress	81.70	91.25	80.79	80.72	1958	Akira Kurosawa
308	Pan's Labyrinth	81.69	92.59	81.60	76.08	2006	Guillermo del Toro
309	Amélie	81.69	79.64	81.96	80.27	2004	Jean-Pierre Jeunet
310	Ben-Hur	81.67	86.93	79.86	80.22	1959	William Wyler
311	Fitzcarraldo	81.67	75.80	81.06	81.21	1982	Werner Herzog
312	American History X	81.63	70.13	83.58	83.00	1998	Tony Kaye
313	Ace in the Hole	81.62	79.10	80.88	81.36	1951	Billy Wilder
314	Capernaum	81.62	81.83	80.52	82.18	2018	Nadine Labaki
315	Still Walking	81.61	90.30	80.92	79.48	2008	Hirokazu Koreeda
316	All About My Mother	81.61	88.77	79.56	78.80	1999	Pedro Almodóvar
317	The Discreet Charm of the Bourgeoisie	81.60	92.28	78.82	78.83	1972	Luis Buñuel
318	Platoon	81.60	88.70	79.52	80.45	1986	Oliver Stone
319	Farewell My Concubine	81.60	80.50	80.49	81.04	1993	Chen Kaige
320	Letter from an Unknown Woman	81.59	93.10	79.84	79.31	1948	Max Ophüls
321	The Grand Budapest Hotel	81.58	87.64	80.72	79.19	2014	Wes Anderson
322	The Virgin Spring	81.58	82.45	80.70	80.66	1960	Ingmar Bergman
323	The Red Balloon	81.57	90.20	79.93	80.30	1956	Albert Lamorisse
324	Stagecoach	81.57	94.58	77.69	78.94	1939	John Ford
325	Mulholland Drive	81.56	80.61	79.60	77.87	2001	David Lynch
326	A Matter of Life and Death	81.49	92.60	81.91	76.27	1946	Michael Powell, Emeric Pressburger
327	High Noon	81.48	90.58	79.27	78.94	1952	Fred Zinnemann
328	Orpheus	81.48	96.20	79.88	78.90	1950	Jean Cocteau
329	Life of Brian	81.47	82.98	80.78	79.81	1979	Terry Jones
330	Casino	81.46	74.23	81.54	81.75	1995	Martin Scorsese
331	Kagemusha	81.44	82.93	80.01	80.43	1980	Akira Kurosawa
332	Butch Cassidy and the Sundance Kid	81.43	76.08	80.53	81.85	1969	George Roy Hill
333	In a Lonely Place	81.43	92.45	80.42	78.77	1950	Nicholas Ray
334	Scarface	81.43	71.30	81.97	82.18	1983	Brian De Palma
335	A Short Film About Killing	81.42	87.35	79.89	80.38	1988	Krzysztof Kieślowski
336	Beauty and the Beast	81.41	92.05	79.28	78.32	1946	Jean Cocteau
337	The Hustler	81.39	92.45	80.43	78.97	1961	Robert Rossen
338	Cléo from 5 to 7	81.38	91.65	80.03	79.11	1962	Agnès Varda
339	Fireworks	81.37	90.15	80.01	79.63	1997	Takeshi Kitano
340	Room	81.36	88.41	80.43	79.48	2015	Lenny Abrahamson
341	Mad Max: Fury Road	81.35	90.39	79.76	77.80	2015	George Miller
342	Steamboat Bill, Jr.	81.32	95.75	79.30	79.23	1928	Charles Reisner, Buster Keaton
343	Judgment at Nuremberg	81.31	71.58	82.24	83.03	1961	Stanley Kramer
344	The Straight Story	81.30	87.15	79.64	79.88	1999	David Lynch
345	Meshes of the Afternoon	81.29	96.25	77.91	79.99	1943	Maya Deren, Alexandr Hackenschmied
346	Alice in the Cities	81.28	86.70	79.60	80.20	1974	Wim Wenders
347	Akira	81.28	80.90	81.12	79.98	1988	Katsuhiro Otomo
348	Good Will Hunting	81.27	79.38	81.97	81.05	1997	Gus Van Sant
349	The Miracle Worker	81.25	85.15	78.88	81.55	1962	Arthur Penn
350	Talk to Her	81.25	87.48	79.33	78.71	2002	Pedro Almodóvar
351	The Graduate	81.24	85.58	78.91	79.97	1967	Mike Nichols
352	Beauty and the Beast	81.22	92.28	79.20	78.77	1991	Gary Trousdale, Kirk Wise
353	The Heiress	81.19	94.45	80.20	79.76	1949	William Wyler
354	Fantasia	81.18	93.03	76.76	79.95	1940	Samuel Armstrong, James Algar
355	Au Revoir les Enfants	81.18	94.25	80.14	78.92	1987	Louis Malle
356	Three Billboards Outside Ebbing, Missouri	81.18	88.62	79.36	79.90	2017	Martin McDonagh
357	Inglourious Basterds	81.17	79.05	81.06	80.51	2009	Quentin Tarantino
358	Elevator to the Gallows	81.16	90.45	79.31	78.56	1958	Louis Malle
359	Gladiator	81.16	75.39	81.69	81.52	2000	Ridley Scott
360	Through a Glass Darkly	81.15	93.60	81.11	78.86	1961	Ingmar Bergman
361	Million Dollar Baby	81.15	87.41	77.43	80.72	2004	Clint Eastwood
362	Days of Heaven	81.15	90.75	80.19	77.08	1978	Terrence Malick
363	Do the Right Thing	81.15	90.78	80.26	77.04	1989	Spike Lee
364	Out of the Past	81.14	91.40	80.73	77.92	1947	Jacques Tourneur
365	Strangers on a Train	81.11	93.30	80.01	78.68	1951	Alfred Hitchcock
366	Blue Velvet	81.11	83.48	78.98	77.09	1986	David Lynch
367	That Obscure Object of Desire	81.09	89.40	79.59	78.11	1977	Luis Buñuel
368	What Ever Happened to Baby Jane?	81.08	80.23	80.74	80.75	1962	Robert Aldrich
369	My Night at Maud's	81.07	88.15	79.51	79.42	1969	Éric Rohmer
370	The Earrings of Madame de…	81.07	92.15	80.36	77.05	1953	Max Ophüls
371	The Conversation	81.04	89.23	80.03	77.44	1974	Francis Ford Coppola
372	The Killing	81.03	91.50	79.51	79.21	1956	Stanley Kubrick
373	The Servant	81.03	87.83	79.45	78.57	1963	Joseph Losey
374	The Intouchables	81.03	67.15	82.13	84.70	2011	Olivier Nakache, Éric Toledano
375	The Life and Death of Colonel Blimp	81.01	94.15	81.57	75.44	1943	Michael Powell, Emeric Pressburger
376	Jaws	81.01	90.98	79.91	75.70	1975	Steven Spielberg
377	Winter Light	81.01	73.55	81.51	79.95	1963	Ingmar Bergman
378	Love Exposure	81.01	80.88	82.23	79.55	2008	Sion Sono
379	Hiroshima Mon Amour	81.00	92.95	80.13	77.99	1959	Alain Resnais
380	Day for Night	80.98	92.55	80.21	78.27	1973	François Truffaut
381	Ratatouille	80.97	92.73	78.72	78.68	2007	Brad Bird
382	Ghost in the Shell	80.97	81.43	79.98	81.15	1995	Mamoru Oshii
383	Germany Year Zero	80.95	92.00	77.80	80.03	1948	Roberto Rossellini
384	Spotlight	80.93	93.00	79.75	77.55	2015	Tom McCarthy
385	Die Hard	80.93	79.58	81.11	79.43	1988	John McTiernan
386	Laura	80.93	93.80	79.70	78.47	1944	Otto Preminger
387	Sleuth	80.93	89.95	79.16	80.87	1972	Joseph L. Mankiewicz
388	The Diving Bell and the Butterfly	80.92	88.64	79.69	77.84	2007	Julian Schnabel
389	The Handmaiden	80.92	85.99	82.55	77.41	2016	Park Chan-wook
390	Stand by Me	80.90	80.20	81.28	79.54	1986	Rob Reiner
391	Wolf Children	80.90	80.15	80.40	81.27	2012	Mamoru Hosoda
392	Marriage Story	80.88	92.86	79.40	77.75	2019	Noam Baumbach
393	Shoeshine	80.87	93.75	79.02	79.38	1946	Vittorio De Sica
394	Freaks	80.85	84.70	77.66	80.31	1932	Tod Browning
395	Nosferatu	80.85	93.75	78.29	79.14	1922	F. W. Murnau
396	Dial M for Murder	80.84	77.60	81.17	81.31	1954	Alfred Hitchcock
397	Amour	80.81	90.90	77.74	78.19	2012	Michael Haneke
398	12 Years a Slave	80.80	94.00	79.74	76.94	2013	Steve McQueen
399	The Nightmare Before Christmas	80.77	85.38	79.26	79.69	1993	Henry Selick
400	Cabaret	80.77	84.68	77.34	80.69	1972	Bob Fosse
401	Central Station	80.77	83.28	80.91	78.52	1998	Walter Salles
402	Landscape in the Mist	80.74	71.35	80.76	80.28	1988	Theo Angelopoulos
403	1917	80.73	84.37	80.65	79.33	2019	Sam Mendes
404	Intolerance: Love's Struggle Throughout the Ages	80.71	93.98	75.69	78.01	1916	D. W. Griffith
405	Call Me by Your Name	80.71	91.25	79.43	77.87	2017	Luca Guadagnino
406	Midnight Cowboy	80.71	82.98	79.10	79.50	1969	John Schlesinger
407	Shadow of a Doubt	80.70	94.38	79.31	76.04	1943	Alfred Hitchcock
408	Interstellar	80.70	74.16	81.30	82.25	2014	Christopher Nolan
409	Hannah and Her Sisters	80.69	88.95	79.15	77.98	1986	Woody Allen
410	Monsters, Inc.	80.68	85.29	79.37	80.08	2001	Pete Docter, David Silverman
411	The Testament of Dr. Mabuse	80.65	85.85	79.40	79.38	1933	Fritz Lang
412	Downfall	80.64	83.53	81.54	78.55	2004	Oliver Hirschbiegel
413	Being There	80.64	87.30	79.42	78.06	1979	Hal Ashby
414	The Killer	80.63	92.60	79.27	78.66	1989	John Woo
415	My Left Foot: The Story of Christy Brown	80.63	93.23	78.13	79.15	1989	Jim Sheridan
416	Jean de Florette	80.60	88.40	80.18	79.69	1986	Claude Berri
417	The Big Lebowski	80.57	74.80	82.28	78.57	1998	Coen Brothers
418	The King's Speech	80.57	90.86	78.50	78.59	2010	Tom Hooper
419	Whisper of the Heart	80.55	79.98	80.80	80.31	1995	Yoshifumi Kondō
420	E.T. the Extra-Terrestrial	80.54	93.08	77.22	77.82	1982	Steven Spielberg
421	Infernal Affairs	80.54	79.83	79.92	80.22	2002	Andrew Lau, Alan Mak
422	The Prestige	80.54	72.22	82.71	81.38	2006	Christopher Nolan
423	Our Hospitality	80.54	92.85	77.72	79.58	1923	Buster Keaton, John G. Blystone
424	Zootopia	80.53	85.22	78.84	80.18	2016	Byron Howard, Rich Moore
425	Toy Story 2	80.49	92.59	78.51	77.05	1999	John Lasseter, Ash Brannon, Lee Unkrich
426	Klaus	80.48	75.00	81.07	81.41	2019	Sergio Pablos
427	The Big Sleep	80.45	92.10	79.74	77.58	1946	Howard Hawks
428	Ford v Ferrari	80.45	83.94	79.37	80.01	2019	James Mangold
429	Dead Poets Society	80.44	78.70	79.43	80.75	1989	Peter Weir
430	The Terminator	80.43	89.08	78.26	78.13	1984	James Cameron
431	Naked	80.43	84.48	80.39	77.34	1993	Mike Leigh
432	Dangal	80.41	83.00	79.68	80.56	2016	Nitesh Tiwari
433	Kwaidan	80.40	81.80	79.75	79.42	1964	Masaki Kobayashi
434	The Man Who Would Be King	80.40	90.55	78.24	77.79	1975	John Huston
435	Wild Tales	80.38	82.57	80.48	79.22	2014	Damián Szifron
436	Groundhog Day	80.38	80.08	79.31	79.35	1993	Harold Ramis
437	Catch Me If You Can	80.38	83.44	78.74	80.57	2002	Steven Spielberg
438	I Vitelloni	80.36	90.28	77.64	78.06	1953	Federico Fellini
439	The Big Heat	80.35	92.90	79.27	77.87	1953	Fritz Lang
440	The Double Life of Véronique	80.35	82.63	80.19	77.87	1991	Krzysztof Kieślowski
441	Who's Afraid of Virginia Woolf?	80.35	82.58	80.19	78.43	1966	Mike Nichols
442	Requiem for a Dream	80.33	71.39	81.39	80.93	2000	Darren Aronofsky
443	Rope	80.33	79.20	80.31	79.30	1948	Alfred Hitchcock
444	Love and Death	80.33	89.83	77.55	78.50	1975	Woody Allen
445	The Remains of the Day	80.29	86.88	78.75	78.80	1993	James Ivory
446	Jules and Jim	80.28	93.70	78.30	77.94	1962	François Truffaut
447	The Gospel According to Matthew	80.28	88.30	76.50	78.52	1964	Pier Paolo Pasolini
448	How to Train Your Dragon	80.27	81.97	79.45	80.24	2010	Chris Sanders, Dean DeBlois
449	Harry Potter and the Deathly Hallows: Part 2	80.27	88.50	78.81	78.53	2011	David Yates
450	Cat on a Hot Tin Roof	80.26	87.05	79.46	79.79	1958	Richard Brooks
451	The French Connection	80.26	93.35	78.04	76.89	1971	William Friedkin
452	Opening Night	80.25	78.05	80.50	79.25	1977	John Cassavetes
453	Hotel Rwanda	80.24	84.54	79.34	79.40	2004	Terry George
454	4 Months, 3 Weeks and 2 Days	80.22	92.51	77.76	76.22	2007	Cristian Mungiu
455	Tampopo	80.22	92.40	81.20	77.01	1985	Juzo Itami
456	Scarface	80.22	93.50	76.43	79.55	1932	Howard Hawks, Howard Hughes
457	The Face of Another	80.21	87.50	79.61	79.34	1966	Hiroshi Teshigahara
458	The Roaring Twenties	80.21	86.20	77.79	80.68	1939	Raoul Walsh
459	Pickpocket	80.20	93.80	76.41	76.47	1959	Robert Bresson
460	Kiki's Delivery Service	80.20	85.45	79.87	78.84	1989	Hayao Miyazaki
461	A Prophet	80.19	89.61	79.53	76.14	2009	Jacques Audiard
462	Zelig	80.19	90.00	76.50	80.29	1983	Woody Allen
463	Trouble in Paradise	80.18	88.20	79.35	77.62	1932	Ernst Lubitsch
464	Gran Torino	80.17	76.27	78.57	82.36	2008	Clint Eastwood
465	Last Year at Marienbad	80.16	88.25	78.29	77.37	1961	Alain Resnais
466	All the President's Men	80.15	85.95	80.48	76.46	1976	Alan J. Pakula
467	Breaking the Waves	80.15	79.85	78.46	79.55	1996	Lars von Trier
468	Indiana Jones and the Last Crusade	80.14	74.28	81.44	80.57	1989	Steven Spielberg
469	Divorce Italian Style	80.12	91.00	79.28	78.26	1961	Pietro Germi
470	Edward Scissorhands	80.12	78.65	78.09	80.73	1990	Tim Burton
471	The Thing	80.12	67.98	82.60	79.34	1982	John Carpenter
472	Perfect Blue	80.11	74.05	80.91	80.09	1997	Satoshi Kon
473	Down by Law	80.10	79.03	78.98	79.61	1986	Jim Jarmusch
474	Bringing Up Baby	80.10	90.75	78.25	76.45	1938	Howard Hawks
475	The Phantom of Liberty	80.09	85.10	78.89	78.66	1974	Luis Buñuel
476	Bonnie and Clyde	80.07	85.38	78.16	78.23	1967	Arthur Penn
477	The Incredibles	80.07	89.69	79.77	75.78	2004	Brad Bird
478	Rocky	80.04	79.73	79.17	79.29	1976	John G. Avildsen
479	His Girl Friday	80.03	94.15	79.24	76.72	1940	Howard Hawks
480	Mommy	80.03	80.79	80.39	79.13	2014	Xavier Dolan
481	Mon Oncle	80.03	88.00	78.03	78.76	1958	Jacques Tati
482	My Fair Lady	79.99	91.85	77.53	78.00	1964	George Cukor
483	Charade	79.98	85.55	79.37	78.72	1963	Stanley Donen
484	Stalag 17	79.95	87.13	79.62	77.79	1953	Billy Wilder
485	Boyhood	79.95	97.08	76.08	75.95	2014	Richard Linklater
486	The Secret in Their Eyes	79.95	82.49	81.27	77.67	2009	Juan José Campanella
487	Ninotchka	79.95	90.15	77.99	78.50	1939	Ernst Lubitsch
488	Pierrot le Fou	79.94	81.75	77.84	76.65	1965	Jean-Luc Godard
489	The Enigma of Kaspar Hauser	79.94	89.10	78.30	78.27	1974	Werner Herzog
490	Stroszek	79.94	88.40	79.50	77.77	1977	Werner Herzog
491	A Hard Day's Night	79.93	93.73	76.82	77.08	1964	Richard Lester
492	Onibaba	79.90	74.75	79.42	79.96	1964	Kaneto Shindo
493	Repulsion	79.85	92.68	77.29	76.57	1965	Roman Polanski
494	Like Stars on Earth	79.85	80.50	79.54	79.86	2007	Aamir Khan, Amole Gupte
495	Duck Soup	79.84	92.33	79.01	74.92	1933	Leo McCarey
496	Carlito's Way	79.83	70.28	79.16	82.01	1993	Brian De Palma
497	Nashville	79.82	93.23	76.89	74.92	1975	Robert Altman
498	The Triplets of Belleville	79.82	88.97	76.57	78.66	2003	Sylvain Chomet
499	Dr. Mabuse the Gambler	79.81	85.10	76.88	79.98	1922	Fritz Lang
500	Gone Girl	79.79	83.03	79.32	78.87	2014	David Fincher

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Even if the Legion were to win the Second Battle of Hoover Dam and conquer the Mojave Wasteland, they'd merely be buying themselves a little extra time and simply stall their inevitable demise. Note that the following analysis assumes that the Legion won the Second Battle of Hoover Dam and that the Courier died in Goodsprings.
To start off this analysis, let's begin with a run-down of the respective weapons, equipment and gear of the respective ranks of the NCR and the Legion going into the Second Battle of Hoover Dam. Beginning with the NCR garrison at Hoover Dam. The NCR Trooper comprises the core of the Republic's colossal armies and is the prime component of the NCR Army. A superb combination of volunteers and conscripts whose degrees of training, motivation, combat experience and access to equipment vary across the ranks, they're some of the most disciplined, most professional soldiers in all of the Wastes.
They're outfitted with modern military-grade ballistic vests that offer excellent protection against small arms fire, shrapnel and melee weapons alongside steel helmets. The NCR Army battalion that's stationed at Hoover Dam in particular is fully comprised of battle-hardened, fully-trained volunteer veteran NCR Troopers that are armed with 5.56 × .45mm NATO Marksman Carbines, 5mm Assault Rifles, 12-gauge Riot Shotguns and .308 Sniper Rifles to supplement their standard-issued 5.56 × .45mm NATO Service Rifles.
The NCR Patrol Ranger is one of the finest, most elite warriors in both the NCR military and the Wastelands, overall. Having survived a brutal training regimen that's so ludicrously difficult that 8-out-of-10 aspiring recruits wash-out, these purely volunteer harbingers of death have little to no equals in terms of skill, fighting prowess and strength.
They're outfitted with a suit of hand-made First-Generation Combat sporting a knife sheath, a hydration pouch and spiked spurs for unarmed combat that is impervious to any and all small arms fire, shrapnel and melee attacks. They're armed with 5.56 × .45mm NATO Marksman Carbines, .308 Sniper Rifles and .44 Magnum Trail Carbines.
The NCR Heavy Trooper is not only the elite heavy shock infantry of the NCR Army, but is also the proverbial sledgehammer through which the Republic may crush its enemies and obliterate all that may threaten its values.
Having earned their distinctive armor through immense sacrifice in blood, sweat and most of their young lives, they're the absolute best-trained, best-equipped, most battle-hardened, most professional, most skilled, most fanatically-devoted warriors in the whole of the NCR Armed Forces (rivaled only by the legendary NCR Veteran Rangers). Warriors that are more than willing to fight to their absolute last breath in defense of the Republic and all that it represents.
They're outfitted with NCR Salvaged Power Armor, suits of T-45d Power Armor that were captured from the Brotherhood of Steel during the Brotherhood War that have had their joint servomotors removed and their back-mounted power cylinders replaced with custom-built energy modules and built-in air-conditioning units so that Power Armor Training wouldn't be needed to wear them.
And while they're no longer legitimate suits of Power Armor in that they're no longer powered, they're still some of the absolute best and most protective suits of armor within the Republic's entire mammoth arsenal. Completely invulnerable to all but the most powerful conventional firearms, highly-advanced energy weapons, specialized ammunition and high-powered explosives, they can truly absorb Hellish amounts of punishment. They're armed with 5.56 × .45mm NATO Light Machine Guns, 5mm Miniguns, Heavy Incinerators, Flamers and Missile Launchers (albeit rarely).
The NCR Veteran Ranger is a living, breathing legend walking amongst the ruins and ashes of the Old World, drawing inspiration and hope from soldiers and citizens of the Republic as well as fear and terror from enemies and all those who dare to oppose the NCR.
Fabled for their unmatched fighting prowess, envied for their flawlessly unequalled marksmanship technique, feared for their unrivaled warfighting skills, awe-inspiring for their unsurpassed pugilist talent and legendary for their innate mastery over hardcore survivalist skills, the NCR Veteran Rangers are the absolute finest, best-trained, most battle-hardened, most professional, most skilled, most-elite and all-around most bad-ass warriors in not only the entire history of the Republic military, but also the whole of the Western Wastes, as well.
Centurions and Praetorian Guards of Caesar's Legion, Knights and Paladins of the Brotherhood of Steel and even the Republic's very own NCR Heavy Troopers have learned to shudder in terror and fear at the mere mention of the mythical phenoms of the Wastelands that are the NCR Veteran Rangers
These fabled guardian angels of the Republic are outfitted with the equally legendary Black Armor, a hyper-advanced suit of Third-Generation Combat Armor consisting of a highly-flexible vest of incredibly-rigid high-impact armored plating with adjustable straps on both the sides and the shoulders and a built-in throat protector that's mounted on the vest.
Combined with the state-of-the-art rounded-shell ballistic helmet sporting built-in lamps and infrared/visible light projectors as well as the complimentary highly-sophisticated armored mask with built-in low-light optics, an incorporated locking mechanism that joins the mask itself with the helmet shell, ear covers with built-in membranes that confer additional protection without inhibiting the wearer's hearing and built-in air filters, the mythical Black Armor is well-deserving of its stellar reputation.
As you can see, the NCR's forces are extremely heavily-armed, well-equipped and armed to the teeth with the absolute latest in top-of-the-line, high-powered firearms and state-of-the-art, highly-sophisticated energy weapons as well as superbly well-protected with an abundance of different varieties of military-grade body armors with varying degrees of effectiveness and even Salvaged Power Armor.
Now it's time for an evaluation of the Legion's weapons and technology. The Recruit Legionary is the primary foot soldier of Caesar's army and comprises the vast majority of the Legion's ranks. Trained and conditioned from before they could walk to become the perfect warriors, Recruit Legionaries are incredibly well-conditioned and in phenomenal physical shape, owing to a savagely intense training regimen that even the NCR Rangers would envy. Despite said conditioning, however, they're still the equivalent of literal cannon fodder with little-to-no actual skill in firearms usage and maintenance.
They're outfitted with a suit of makeshift featherweight armor that consists of sports equipment with bits and pieces of scrap metal atop a cloth tunic that's all lashed together with leather straps. An armor that's so weak that it couldn't even protect its wearer against the likes of a straight razor.
They're armed primarily with a "Machete" (what's really a lawnmower blade that's lashed to a stick) and "Throwing Spears" (what's really even bigger sticks with pieces of sharpened scrap metal fastened and jabbed into the tips), though they can rarely get their hands on firearms (albeit damn near broken ones) such as .357 Magnum Revolvers, .357 Magnum Cowboy Repeaters, 9mm Pistols, 20-gauge Single Shotguns, 20-gauge Caravan Shotguns, 5.56 × .45mm NATO Varmint Rifles and 10mm Pistols.
The Prime Legionary is the centerpiece of the Legion's fighting force and the core component of any Legion formation. Having survived 5 years in Caesar's forces, a remarkable accomplishment in and of itself, Prime Legionaries are no longer mere cannon fodder but are now the main frontline fighting force of the Legion. With the accompanying improvement in weapons and equipment as well as adequate firearms skills to make the promotion that much sweeter.
They're outfitted with the exact same armor as before, only with a slight improvement in protection. It still can't protect the wearer from shit, however. They're armed with the standard-issued "Machetes" and "Throwing Spears" though they also have much better access to more advanced weapons than before.
Melee weapons, such as Machete Gladius', Power Fists and Chainsaws, and firearms (of decent quality), such as 10mm SMGs, 12-gauge Sawn-Off Shotguns .44 Magnum Revolvers and .308 Hunting Rifles are all available to them in significant quantities.
The Veteran Legionary is the oldest, most experienced, most elite warrior within the lesser ranks of the Legion and is also the precise scalpel to the blunt, destructive warhammer of the Recruit and Prime Legionaries.
Having survived a full decade in Caesar's service, a monumental achievement in its own right, Veteran Legionaries are the elite rapid reaction force of the Legion that's tasked with neutralizing particularly tough adversaries that their lesser counterparts can't defeat and typically remain in reserve until otherwise needed for tipping the scales of a pivotal battle or campaign in the Legion's favor.
As they're the oldest Legionaries (a lot of whom have been with Caesar since day 1), they're also the most experienced, most capable Legionaries who are in their absolute prime in regards to martial prowess and physical resilience. They're second only to Centurions in terms of skill and experience, which is reflected in their improved access to superior weapons and equipment. They can also use and maintain firearms with frightening levels of efficiency.
They're outfitted with the same armor as before, though with even better protection. Still couldn't protect you from anything meaningful, though. They're armed with the usual standard kit in addition to melee weapons such as Fire Axes and Power Fists as well as firearms (of mint condition and with virtually unlimited access to) such as .44 Magnum Revolvers, .308 Hunting Rifles, 5.56 × .45mm NATO Marksman Carbines and 12.7mm SMGs.
The Decanus of the Legion is the lesser officer beneath the Centurion and is responsible for tactical small-unit operations and squad-level leadership. While not too different from ordinary Legionaries in terms of skill, equipment and even appearance, they still have slightly better access to weapons hence they deserve a separate segment.
Recruit Decanii can get access to 9mm SMGs and 10mm SMGs unlike Recruit Legionaries, Prime Decanii aren't any different from Prime Legionaries and Veteran Decanii can get access to 12.7mm Pistols unlike Veteran Legionaries (not a real improvement, I know). Everything else is exactly the same.
The Centurion is the absolute apex of the Legion's strength and the top field commanders of Caesar's armies, second in authority only to Legate Lanius and Caesar himself amongst a tiny select few of other superiors.
Having survived 15-20 years of a long, arduous life of fighting in Caesar's name (a completely unimaginable phenomenon, indeed) before finally earning the treasured armor of the Centurion (which they can decorate with the trophies of their fallen enemies at their leisure), Centurions are the absolute most elite, most skilled, most battle-hardened and ultimately the most dangerous warriors in the entirety of the Legion.
To even BEGIN to qualify for Centurion status, one must have fought in and survived numerous Legion campaigns as well as slain countless opponents in battle alongside the time requirement. All to ensure that only the finest of Caesar's warriors ever reach that level of authority in his Legion.
As the oldest, most experienced warriors in Caesar's army, the Centurions comprise the old guard of Caesar's army, most of them having served their lord since the very beginning. Their status all but ensures that they're reserved for only the absolute deadliest, most lethal of assignments that even Veteran Legionaries can't handle. They're ultimately only deployed if absolutely necessary.
In order to ensure that his Centurions can both accomplish their missions without even the slightest chance of failure and protect themselves without difficulty, Caesar has granted them unlimited access to the absolute finest weapons in his Legion's arsenal and has seen to it that they have acquired the absolute sharpest firearms skills that money can buy as a corresponding reward for their reaching Centurion status.
They're outfitted with Centurion armor which, while legendary amongst the Legion, really isn't that special. It's actually just Veteran Legionary armor with some cool decorations on it at the end of day.
Pieces of T-45d Power Armor on the right arm, the sleeve from a suit of NCR Ranger Patrol Armor and the pauldrons from an Armored Vault Suit on the left arm, the boots and shin guards from a suit of First-Generation Combat Armor on the lower legs, the crotch/thigh guards from a suit of NCR Ranger Patrol Armor on the upper legs, gloves from a suit of Leather Armor on the hands and a Super Mutant Brute chestplate on the torso, to be exact.
Realistically speaking, Centurion armor would be just about useless against virtually any weapon in the NCR's arsenal. Even a single 5.56 × .45mm NATO round fired from a basic Service Rifle would most certainly do the job, flawlessly.
They're armed with basic melee weapons such as Machete Gladius' and Chainsaws as well as high-tech melee weapons such as Thermic Lances (which are actually just repurposed metalworking tools) and Super Sledges in addition to powerful firearms such as .308 Hunting Rifles, 12-gauge Hunting Shotguns, 5.56 x .45mm NATO Marksman Carbines and even .50 BMG Anti-Materiel Rifles (albeit rarely).
Now we must now examine what will inevitably be a huge problem for the Legion even if they were to win the Second Battle of Hoover Dam. The Legion, even though it does in fact have access to some top-of-the-line weapons, only has them in an extremely limited capacity and strictly reserves them for only the highest-ranking, most elite Legion forces and field commanders.
The overwhelming bulk of the Legion's troops have little-to-no real firearms and what pitifully little that they can get their hands on are in extremely piss-poor condition. Not that it would matter, considering the fact that they don't have the proper training that's necessary to actually use them, much less maintain them.
The vast majority of Caesar's troops rely almost entirely on primitive makeshift melee weapons and their own martial prowess to fight their battles, which inevitably means that the Legion has to avoid direct engagement with NCR forces, instead relying on subterfuge and guerilla warfare to combat the Republic.
And it gets even worse for the Legion when one considers that the higher that its troops advance up the totem pole, the fewer Legionaries that it finds at the higher levels. A direct consequence of the Legion's overprioritization of quality and individual skill in combat is that it inevitably results in an extremely small cadre of elite warriors and field commanders surrounded by a sea of lesser soldiers and officers.
Combined with the fact that the Legion is only 34 years-old by the events of F:NV (meaning that even if one were to ignore things like inevitable attrition all throughout the Legion's war-filled history of expansion and conquest, they still wouldn't have that many Veteran Legionaries/Decanii and Centurions) as well as the fact that attrition over the years must be taken into account (the First Battle of Hoover Dam and the Legion's invasion of Colorado alone absolutely devastated their elite ranks), it's only obvious that the Legion's elite forces are relatively puny.
Furthermore, we know for a fact that there's enough Veteran Legionaries/Decanii for them to form a few of their own exclusive Centuria (a Century is 80-men-strong, I might add), with the Red Okie Centuria being a prime example of this. This definitely suggests that the Legion has at least a couple hundred Veteran Legionaries/Decanii at its disposal. As for Centurions, it's a little known fact that they're so incredibly rare in the Legion that they're actually explicitly ordered to not enter combat until absolutely necessary (i.e self-defense or if they're ordered into battle by a superior).
This, along with the fact that they're never really seen in any meaningful numbers in-game until the Second Battle of Hoover Dam, strongly suggests that there might only be at most several dozen Centurions in the whole of the Legion (there definitely wouldn't be over 100 of them). Either way, however, the Legion's elite forces are so pathetically tiny that they couldn't possibly justify the Legion having any meaningful amount of high-end weaponry.
The NCR, on other hand, doesn't have these problems as 1. the NCR prioritizes protection and firepower above all else for their forces and 2. even their most basic troops have exclusive access to essentially unlimited supplies of all manner of firearms and explosives as well as highly superb protection in the form of military-grade body armor.
Meaning that the NCR not only has a hopelessly insurmountable edge in firepower, technology and protection over the Legion, but that soldiers of the NCR also have a far higher life expectancy than their Legion counterparts, as well. All but ensuring that the NCR has a vastly higher volume of surviving battle-hardened combat veterans relative to the Legion that enables for the Republic to easily distribute extremely invaluable, ultimately irreplaceable combat experience and lessons learned in battle across the entirety of their military to a far greater extent than the Legion.
Scores of battle-hardened NCR Troopers that distinguish themselves on the battlefield go on to enlist with the NCR Rangers upon receiving an invitation to do so (fun fact: the vast majority of NCR Ranger recruits and even NCR Rangers themselves are/were NCR Troopers who earned their new status while serving in the NCR Army), earn the coveted Salvaged Power Armor and become NCR Heavy Troopers or earn promotions to positions of authority in the NCR Army (prime examples being Colonel Cassandra Moore and Colonel James Hsu). All of the above information will have colossal long-term consequences for the Legion, at the end of the day.
With that out of the way, let's move on to the main argument itself. The most positive estimates of the Legion's total numbers and military strength would be at best 5,000-8,000 troops. Then we must take into account the fact that the Legion is going to suffer massive losses (easily numbering into the thousands) taking Hoover Dam from the NCR as the NCR garrison here is extremely well-defended, well-supplied and heavily-fortified by both an entire battalion of elite, battle-hardened NCR Troopers and God only knows how many NCR Patrol Rangers, NCR Heavy Troopers and NCR Veteran Rangers.
Combined with the fact that General Oliver's Compound is extremely well-defended with force fields, a turret system, NCR Veteran Rangers, NCR Heavy Troopers, elite NCR Troopers and an absolute labyrinth that's filled to the brim with all manner of booby traps ranging from rigged shotguns, bear traps and mines of all types to grenade bouquets and overhanging objects (and given that you see a pile of fresh Legionary and Centurion corpses at your feet whenever you enter the Compound during the "Veni, Vidi, Vici" quest it's more than safe to assume that Legion casualties will be extremely massive just securing this area alone), this only serves to bolster my claim that thousands of the Legion's troops will perish at Hoover Dam even if they were to take it.
With only a mere fraction of their original number (that 5,000-8,000 will have been massively depleted after the Second Battle of Hoover Dam), now the Legion has to set out and secure the rest of the Mojave Wasteland, which will prove to be completely impossible over time. The Legion will find next to no tribes to assimilate as they exterminate the Powder Gangers, Fiends, Vipers, Jackals and the Kings in all of their endings.
And while the Legion still has the Great Khans and the Boomers, they won't help much. The Great Khans are down to little more than a pitiful rag-tag band of holdouts after both their ass-whipping at the hands of Mr. House and their decimation at Bitter Springs by the NCR. A fact that only gets worse when we subtract the women and female children (breeding stock), the elderly, the sick and the disabled (killed off immediately) as well as mention the fact that the Frumentarius Karl does say in his journal that the Legion would have to decimate most of the tribe, anyways. Meaning that the Legion will at most get a couple paltry handful of warriors from them.
As for the Boomers (assuming that the "Volare!" quest isn't completed) will prove to be more than a huge cost than a real benefit to the Legion. The Boomers' artillery alone would kill hundreds, if not thousands, of Legionaries with the Boomers themselves, armed to the teeth with Missile Launchers, Fat Mans, Grenade Machine Guns, Grenade Launchers, Grenade Rifles, 5.56 x 45mm. Marksman Carbines and 5mm Assault Carbines in addition to Mr. Gutsy combat robots and Sentry Bots, killing hundreds and even thousands more before the Legion finally conquer them.
Also consider that the Boomers, who worship their artillery and weapons with a near religious reverence, will by no means let their weapons fall into the hands of savages. Thus we could easily see them sabotaging their artillery (how hard would it be to load an artillery shell and lob a frag grenade down the barrel, after all?; and given that the Boomers only have 3-4 artillery pieces it wouldn't take long to do) and munitions stockpiles (just a few bricks of C4 could easily destroy all of the Boomers' weapons and ammunition supplies) to keep them out of Legion hands, which only adds insult to injury.
Even worse for the Legion is that when we subtract those Boomers that died in battle (most likely all of the adult males), the women and female children, the elderly, sick and disabled the Legion will have only a handful of male children to their name (remember that the Boomers are a really puny tribe that depend entirely on their firepower to survive) which means that they will have achieved nothing despite their massive losses incurred from conquering Nellis Air Force Base.
Then we also consider the fact that the Legion doesn't enslave civilized communities or Independent Towns unless under extraordinary circumstances (as evidenced by Siri over at the Fort who hailed from an Independent Town in New Mexico and was a medical student there prior to its destruction by the Legion).
Of course, it wouldn't matter as even if they did, the entire New Vegas area is completely evacuated by the NCR in the event of a Legion victory at Hoover Dam as evidenced by Arcade Gannon's Legion ending where he's convinced to remain in Freeside (all of Freeside, North Vegas, Westside, East Vegas and the Strip, which is really just a resort for NCR tourists rather than an actual community, are evacuated with those few that don't make it out, Arcade included, being killed by the Legion).
And when we consider that Nelson was butchered, Camp Searchlight irradiated and Nipton destroyed by the Legion with Goodsprings being left alone and Primm just falling under Legion authority (no point in enslaving the town anyways considering how it's just one big retirement home alongside Goodsprings which is also evacuated by all save a few old, stubborn folks) then it's blatantly clear that the Legion will have very few civilized people left to enslave.
With an even smaller fraction of survivors thanks to their conquest of Nellis AFB (in addition to hundreds more casualties against the Mojave Chapter of the Brotherhood of Steel, the Kings and what's left of House's Securitron police force and the Chairmen) the Legion will soon realize its folly and discover that both holding the Mojave Wasteland and continuing their advance West is literally impossible.
The Legion's logistical situation and acquisition of supplies will soon prove to be an insurmountable nightmare within mere weeks of their occupation of the Mojave. The loss of Nipton, Camp Searchlight and Nelson will serve to severely hamstring the Legion's logistics with the eventual deaths of New Vegas, Primm and Goodsprings only complicating the Legion's supply lines even further.
As 99% of the Strip's revenue comes from NCR tourists and soldiers on leave and given how the Legion will most likely tear down the casinos and ban whores, booze, chems and gambling under Caesar's law, the Strip will eventually shrivel up and die due to loss of revenue. North Vegas, East Vegas, Westside, Freeside, Primm and Goodsprings, which are entirely dependent on Republic trade and commerce for survival, will eventually suffer the same fate as NCR trade and business abandon the region out of both fear and hatred for the Legion.
Especially after the Legion's successful assassination of President Kimball which will see him martyred and ensure that the NCR will cut off all ties to the fallen Mojave Wasteland. With all of the Mojave's communities and towns dying off, the Legion's supply lines will crumble and face imminent collapse within only a few months time (Hoover Dam isn't a viable supply route as while it does allow the Legion to cross the Colorado River in force it's just too far to provide adequate, long-term support) which will only serve to doom the Legion's occupation of the Mojave Wasteland.
We must also take into account that the Legion will need every last man, Denarius and resource at its disposal if it so much as hopes to hold the region and continue the advance West. Which will force Caesar to relinquish the Legion's entire empire East of the Colorado in order to do so. In Legate Lanius’ own words, the Legion's expansion campaigns in the East have been faltering badly as Caesar's obsession with Hoover Dam, New Vegas and the West has seen the Legion's full strength syphoned off towards Hoover Dam as part of Caesar's plan to overrun Hoover Dam, conquer New Vegas and eventually invade the West.
Imagine the Hell that the Legion will have trying to secure the Mojave Wasteland, which will prove to be so bad that the Legion heartlands will have to be left defenseless, lawless and chaotic just to even begin to make such an ambitious feat even remotely feasible. Some would probably argue that Caesar would surely never abandon the East just for the tiniest, southernmost tip of Nevada and just one little city but I'd advise you to reconsider.
Caesar explicitly states that while the Legion does have their own cities back East, NONE OF THEM are ANYTHING like New Vegas. Why is that such a big deal, one might ask? It's simple, really. While the Mojave Wasteland was relatively untouched by the nuclear holocaust that was the Great War, thanks to the quick and decisive actions of Robert Edwin House, New Vegas is at best a total dump and at worst an absolute shithole.
Filled to the brim with disease, essentially overrun with Raiders, bandits and common criminals of all stripes, absolutely crushed beneath the iron heel of a colossal drug-addiction crisis, bursting at the seams with abject misery and poverty and rampant with starvation, New Vegas is without a doubt little more than a massive dumpster fire.
Things are so bad in that cursed place that you actually have children chasing rats in the streets just to survive, locals constantly complaining about hunger pains and withdrawals and scum ranging from the Fiends to random little hooligan punks constantly ransacking the place.
Westside, the South Vegas ruins, East Vegas, North Vegas and Freeside are all Hellish nightmares that are almost completely hopeless causes, at the end of the day. Even if one takes into account the diamond in the rock, the New Vegas Strip, you still wouldn't find many reasons to be impressed.
What you have is a tiny wealthy resort community that still looks like a dump (though it's still a major improvement from the rest of New Vegas), has highly dilapidated infrastructure (the Tops Casino still has a giant hole on the side of the building) and is surrounded by a wall that's held together with spit, grit and a whole lotta' duct tape.
And while the Strip is safe, orderly and prosperous by the standards of the Mojave Wasteland (a very shit standard, I might add), it's ultimately a very terrible place by the standards of the rest of the post-apocalyptic world (i.e. NCR territory and lands under Legion control). If Legion cities can't even match the standards of that shithole, what does that say about Caesar's willingness to hold them? Especially in light of what he'd be gaining in return?
Furthermore, Caesar often tends to view himself as a mere barbaric king of the Gauls, with his Legion being nothing but one big nomadic tribe of savages without a true home or purpose in his eyes, which is extremely depressing. Caesar sees New Vegas as a true city, a true capital, a true home for both himself and his Legion, a true Rome that he can rule over and could preside over a true empire in. And the West as that very true empire that he so desperately relishes.
Do you honestly believe that Caesar wouldn't trade his current empire (which he clearly holds in very low esteem and almost regrets ever conquering it) for his new Rome and a stepping stone towards eventually conquering his new Roman Empire (the stepping stone being the Mojave Wasteland)? He'd trade the whole of the East for New Vegas and the Mojave Wasteland in a heartbeat and in doing so will seal the Legion's fate and imminent doom.
With the Legion having completely relinquished the East (and therefore cutting themselves off from their resource base, source of revenue/income and escape route, in the process) their supply lines and logistical network in chaos and having absolutely no source of replenishment and reinforcements for their ranks, the Legion will slowly but surely disintegrate, trapped in a permanent holding pattern in the Mojave that'll bleed them dry and drain them of all their resources.
The NCR, meanwhile, will have simply dug in at the Mojave Outpost and fortified their defenses there. They'd have most certainly brought in the 3 VB-02 Vertibirds (which are armed with Gatling Lasers, Missile Launcher racks and Mini Nuke Launchers and outfitted with heavy armor) that were conducting combat air patrols of the NCR military base just a few miles away from the Mojave Outpost.
Far from stopping there, however, Colonel Royez (who's outfitted with the Scorched Sierra Power Armor which is a fully-operational suit of heavily-modified T-45d Power Armor upgraded with onboard medical systems capable of healing any injury and an improved back-mounted power pack from a suit of T-51b Power Armor that will be capable of resisting nearly all of the Legion's weapons and armed with a Plasma Caster chock full of overcharged Microfusion Cells so incredibly strong that it can kill a lvl. 50 Courier in Power Armor with just 2-3 hits!) and his men (NCR Heavy Troopers armed to the teeth with Gatling Lasers, Plasma Casters and Tesla Cannons as well as NCR Troopers armed with Tri-Beam Laser Rifles, Multiplas Rifles, Laser Rifles and Plasma Rifles) will also redeployed there from the same military camp, as well.
Republic artillery pieces can also be deployed there to help bolster the outpost's defenses, as well. A massive network of bunkers, pillboxes and trenches all along the hill below the outpost as well as machine gun nests, sniper nests, minefields and razorwire can also be established to further enhance the impregnable defensive perimeter of the new frontline. Once all of this is done, the NCR will then proceed to flood the outpost with tens of thousands of NCR Troopers, NCR Heavy Troopers, NCR Veteran Rangers
And when coupled with the fact that the Mojave Outpost is atop a high hill, is flanked by mountain ranges on both sides (which will completely prevent the Legion from attacking its flanks and rear), is right on the border with fully-controlled Republic territory (which will make it impossibly easy to keep well-supplied and will also ensure that Republic reinforcements are plentiful and easily available) and the fact that one could see everything up to Primm and Nipton from the Mojave Outpost (that particular area is also wide-open, completely exposed and lacks any real cover which means that any Legion force of any meaningful size would be spotted from miles away day or night which in turn will prevent Legion surprise attacks), the Mojave Outpost will truly become a 100% impregnable fortress.
To make things even worse for the Legion, there's absolutely no bypassing the Mojave Outpost either as the only areas that can allow such a short cut around the Long 15 are completely and literally impassable. The Big Empty is often described as a wall to any living thing approaching it, the Divide is little more than a death trap and is completely avoided by the Legion for obvious reasons and Death Valley is so inhospitable that even the NCR, with its fleet of military cargo trucks and Vertibirds, flat out avoids that area out of habit.
Any army stupid enough to try and cross through these areas will not return alive under any circumstances. Which in turn ensures that only through the Long 15 can the Legion hope to invade the West and given that the Mojave Outpost is purely impenetrable and that the Mojave Wasteland is completely entrapped with mountains and the Colorado River, the Legion will be completely trapped in the Mojave Wasteland and will never be freed from their holding pattern there.
The NCR simply bides its time and let's the Legion wear itself out and tear itself apart trying to hold the Mojave Wasteland, occasionally fending off Legion assaults on the Mojave Outpost whilst inflicting heavy losses on the Legion, launching several limited-scale offensives here and there so as to deplete the Legion's ranks even further and deploying NCR Veteran Rangers into the Mojave Wasteland so as to ambush Legion supply caravans and patrols to worsen the Legion's logistical nightmare.
After almost a year, the Legion will finally be vulnerable, it's forces stretched absolutely thin down to their absolute breaking point, their supply lines and logistics completely exhausted and expended alongside their supplies as a whole, the Legion's ranks reduced to little more than a tiny skeleton crew, the Legion completely scattered across the entire Mojave Wasteland unable to guard it or defend it any longer and the Colorado River at its back, with absolutely no way of escaping their inevitable demise.
At this moment, the NCR finally attacks with a full-scale assault across the entirety of the Mojave, completely and utterly destroying the Legion in its entirety and killing/capturing Caesar himself as Republic forces swarm across New Vegas and wipe out his Legion all around him within mere hours, days if the Legion is lucky. And so the NCR-Legion War finally draws to a close, with the back of the Legion broken forever and ceasing to exist.
Either way the Legion is fucked with a Legion defeat at the Second Battle of Hoover Dam being a mercy killing at best for the Legion.
(Sources are down below in the comments section).